Putting the Pi In Piano

Working on a PhD in composition, [Stephen Coyle] spends a fair bit of time at his electric keyboard. Setting himself up to work can be a bit of a task, so he felt he could improve the process and make it easy as Pi.

Finding it an odious task indeed to use notation software, connecting his laptop to his keyboard is a must — avoiding a warren of wires in the move is a similar priority. And, what if he could take advantage of the iPad’s unique offerings too? Well, a Raspberry Pi Zero W running Ravelox — an RTP …read more http://pje.fyi/QDWfG9

Paul Jacob Evans


Students Hack an Unusual Violin

[Sean Riley] is a violinist who had a problem. He wanted to play one particular piece, but he couldn’t. It wasn’t that he lacked the skill — he a doctoral student at the University of Texas and has two degrees in violin performance from The Julliard School. The problem was that “The Dharma at Big Sur” by [John Adams] is made for an instrument with six strings, while most violins only have four. So he did what any of us would do. He stopped by the local hackerspace and fabricated one. You can hear (and see) [Sean] performing with the …read more http://pje.fyi/QCx98J

Paul Jacob Evans

One String, One Print, One Harp

To exclude musical instruments in the overflowing library of possibility that 3D printing enables would be a disservice to makers and musicians everywhere. For the minds over at [Makefast Workshop], an experimental idea took shape: a single stringed harp.

The TuneFast Harp needed enough notes for a full octave, robust enough to handle the tension of the string, a single tuning mechanism and small enough to print. But how to produce multiple notes on a harp out of only one string? V-grooved bearings to the rescue! The string zig-zags around the bearings acting as endpoints that rotate as its tuned, …read more http://pje.fyi/Q8LtTb

Paul Jacob Evans

Guitar Game Plays with Enhanced Realism

There’s a lot more to learning how to play the guitar than just playing the right notes at the right time and in the right order. To produce any sound at all requires learning how to do completely different things with your hands simultaneously, unless maybe you’re a direct descendant of Eddie Van Halen and thus born to do hammer ons. There’s a bunch of other stuff that comes with the territory, like stringing the thing, tuning it, and storing it properly, all of which can be frustrating and discouraging to new players. Add in the calluses, and it’s no …read more http://pje.fyi/Q5sKWx

Paul Jacob Evans

The Tiniest Of 555 Pianos

The 555 timer is one of that special club of integrated circuits that has achieved silicon immortality. Despite its advanced age and having had its functionality replicated and superceded in almost every way, it remains in production and is still extremely popular because it’s simply so useful. If you are of A Certain Age a 555 might well have been the first integrated circuit you touched, and in turn there is a very good chance that your project with it would have been a simple electric organ.

If you’d like to relive that project, perhaps [Alexander Ryzhkov] has the …read more http://pje.fyi/Q5qp4p

Paul Jacob Evans

Modified Uke Keeps the Beat with a Solenoid

A classic one-man band generally features a stringed instrument or two, a harmonica in a hands-free holder, and some kind of percussion, usually a bass drum worn like a backpack and maybe some cymbals between the knees. The musician might also knock or tap the sound-boards of stringed instruments percussively with their strumming hand, which is something classical and flamenco guitarists can pull off with surprising range.

The musician usually has to manipulate each instrument manually. When it comes to percussion, [JimRD] has another idea: keep the beat by pounding the soundboard with a solenoid. He built a simple Arduino-driven …read more http://pje.fyi/Q40j6C

Paul Jacob Evans

The Grafofon: An Optomechanical Sequencer

There are quick hacks, there are weekend projects and then there are years long journeys towards completion.  [Boris Vitazek]’s grafofon falls into the latter category. His creation can best be described as electromechanical sequencer synthesizer with a multiplayer mode. The storage medium and interface for this sequencer is a thirteen-meter loop of paper that is mounted like a conveyor belt. Music is composed by drawing on the paper or placing objects on it. This is usually done by the audience and the fact that the marker isn’t erased make the result collaborative and incremental.  These ‘scores’ are read by a

…read more http://pje.fyi/Px9HGg

Paul Jacob Evans